Vein Band I Did It Again

2000 studio anthology past Britney Spears

2000 studio album by Britney Spears

Oops!... I Did It Once again
Britney Spears - Oops!... I Did It Again.png
Studio album by

Britney Spears

Released May iii, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • 3rd Flooring
  • Avatar Studios
  • Battery Studios
  • Electric Lady Studios, New York Urban center
  • East Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Bout-de-Peilz, Switzerland
Genre
  • Pop
  • trip the light fantastic toe-pop
  • teen popular
Length 44:37
Characterization Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby I More Time
(1999)
Oops!... I Did Information technology Again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Once more
  1. "Oops!... I Did It Again"
    Released: April xi, 2000
  2. "Lucky"
    Released: July 24, 2000
  3. "Stronger"
    Released: October 30, 2000
  4. "Don't Permit Me Exist the Last to Know"
    Released: March 5, 2001

Oops!... I Did Information technology Again is the second studio album by American vocalizer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Time (1999), it is a popular, dance-pop, and teen pop record, the anthology incorporates a more funkier and R&B sounds. [1] Contributions to the album'south production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[two]

Upon its release, Oops!... I Did Information technology Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The anthology became a massive commercial success, debuting at number one in over xx countries while peaking inside the top five in various other. In the United States, it debuted at number i on the Billboard 200, with start-calendar week sales of i.39 million copies, becoming the fastest selling anthology by a female person creative person since Nielsen SoundScan began tracking point-of-auction music purchases in 1991.[iii] This record was broken fifteen years subsequently past Adele's 25, which sold over 3.38 million copies in its first week of release.[iv] It became Spears' second consecutive album to be certified Diamond by the Recording Industry Clan of America, cogent sales of over x million copies in the United States, making Spears at age 18 the youngest creative person to have multiple diamond albums.[five] With worldwide sales of over 20 one thousand thousand copies,[6] Oops!... I Did Information technology Again is ane of the best-selling albums of all-time.

Four singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number ix on the US Billboard Hot 100. Its second unmarried, "Lucky", peaked at number 1 in Republic of austria, Frg, Sweden and Switzerland, within the acme x in Commonwealth of australia, Belgium, Canada, Denmark, Republic of ireland, Italia, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number twenty-three on the US Billboard Hot 100. Its tertiary unmarried, "Stronger", reached the top x in Republic of austria, Finland, Federal republic of germany, Poland, Romania, Sweden, Switzerland and the U.k., and peaked at number xi on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gilded certification in Commonwealth of australia, Denmark, Germany, New Zealand, Sweden, and the United States. Its final single, "Don't Permit Me Exist the Last to Know", was moderately successful on the charts, peaking at number ane in Romania, and inside the pinnacle x in Austria, Poland, and Switzerland, but failed to chart on the Us Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial operation at the 2000 MTV Video Music Awards. She besides was the host and musical guest for the first fourth dimension on Sabbatum Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Bout, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.

Recording and product [edit]

"When I did the first album, I had but turned 16. I hateful, when I wait at the album encompass, I'm similar, 'Oh, my lordy.' I know this next album's going to be totally different--specially the material. I only got finished recording the start six tracks in Sweden 2 months ago, and the material is so much more funkier and edgier. And, of class, it'south more than mature because I've grown as a person too."

—Spears on the progression of her material for the album.[7]

After vacationing for six days post-obit the completion of the ...Babe One More Time Tour in September 1999,[viii] Spears returned to New York City to brainstorm recording songs for her next album; the bulk of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (later covered past Gareth Gates), "What U Meet (Is What U Get)", and "Don't Go Knockin' on My Door" were the starting time to be recorded at Martin's Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the championship track) in January 2000. Spears recorded "Don't Let Me Be the Terminal to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[ten] "Where Are You At present" was an outtake from ...Baby One More Fourth dimension. "Girl in the Mirror" and "Can't Brand Y'all Dearest Me"'s instrumental track and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upward with producer Steve Lunt to record Diane Warren's "When Your Optics Say It" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that mean solar day. "One Kiss from You" was too recorded at Battery Studios but was later finished at 3rd Flooring in New York Urban center. Spears also recorded the last track for the album "Dear Diary" which would after be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Some other song recorded during these sessions was "Heart". Her encompass of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during Feb 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13] [14]

By January, the and then-untitled album was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized cloth in New York Metropolis.[ix] She was heavily pressured after ...Babe One More Fourth dimension 'southward huge commercial success, stating: "It's kind of difficult post-obit x million, I take to say. But after listening to the new material and recording it, I'm really confident with it."[xv] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of course there's some pressure level", and added: "But in my opinion, [Oops!] is a lot better than the first album. It's edgier – it has more of an attitude. It's more me, and I recollect teenagers will chronicle to it more than." Geoff Mayfield, managing director of Billboard charts, added that the decision to release Oops!... I Did It Once again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when yous take a immature fan base, get 'em while they're hot."[16]

Music and lyrics [edit]

Oops!... I Did It Again was considered as a sequel to Spears' debut album, ...Infant One More Fourth dimension (1999),[ane] percolating with a carefully measured blend of familiar popular, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more than mature, R&B-flavored popular sound. "It's not something I changed purposefully", Spears said of the album's sound and added: "It's but something that kind of inverse on itself with me existence older. My phonation has changed a little bit and I'm more confident, and I think that comes across on the textile."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones embrace, stating: "Information technology's going to stupor everybody", adding: "It has flavors of the original, just it'due south a straight 2000 version — new to the ear. Which I recollect is cool, considering people who appreciate that song are going to love it. And I fabricated it so new and young that the immature kids that beloved Britney are going to love information technology. Information technology's going to take hold of both a mature and young audience."[eighteen] Spears worked with Robert "Mutt" Lange on "Don't Let Me Exist the Terminal to Know", telling MTV News: "When you hear the vocal, it's then pure and frail. It's but one of those songs that pull y'all in", and added: "I think they wrote it 'specially for me, considering the lyrics of the song, if you really listen … they're more of what I tin can chronicle to, 'cause they're kind of immature lyrics, I call back. I don't recollect Shania would probably sing some of the words that I'm proverb."[eighteen]

The title rail and opening song, "Oops!... I Did Information technology Again", was compared to her debut single, "...Baby Ane More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you retrieve I'm in honey/That I'g sent from to a higher place — I'm not that innocent."[19] The vocal likewise breaks down for a spoken-give-and-take interlude, involving a line from the film Titanic (1997).[xix] The 2nd track "Stronger" is a synthpop[xx] and R&B-infused track,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like holding.[21] The line "my loneliness own't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Babe One More than Time".[18] Some other R&B-infused track, which also adds a scrap more than funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging ahead subsequently a breakdown.[21] The 4th track, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The trip the light fantastic-pop version also jettisons the vocal's final poetry and adds some new lyrics[eighteen] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my idea [to tape the song]", Spears said. "I was just like, 'I similar this song,' and I recall information technology will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song similar that."[24] The fifth track, "Don't Let Me Exist the Final to Know", was co-written past state-pop vocaliser-songwriter Shania Twain and her then-hubby, producer Robert "Mutt" Lange, who also produced the runway.[18] The ballad, which boasts a slinky keyboard riff and Lange'southward characteristically lavish production, finds Spears allowing a flake of land twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I need to hear it direct from y'all", she sings.[18]

The sixth rail "What U Encounter (Is What U Become)" demands respect past rebuking a jealous partner,[21] while the 7th rail, "Lucky", is a eye-rending tale of a Hollywood starlet'due south loneliness, proving that fame can exist empty.[21] "If at that place'due south nothing missing in my life/And so why practise these tears come at dark?", she asks.[20] "School crush" is the theme of "Ane Kiss from You lot",[21] a track that has a reggae-style crush and lyrics about the feelings of falling in dear, and the quickness of it,[25] with Spears cooing that afterward only 1 kiss she sees her entire hereafter with her lover.[26] The ballad "Where Are Yous At present" talks about wanting to know where a previous honey is, and what that person is up to, so that she can finally allow them go and detect closure.[ citation needed ] Lines on "Can't Make You Dearest Me", a Europop song,[22] country that fancy cars and money pale in comparison to true love,[21] with Spears singing: "I'm but a girl with a crush on you."[22] The mid-tempo, synth-backed "When Your Optics Say Information technology", written past songwriter Diane Warren, combines a string department with a loping hip hop beat,[eighteen] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a boy.[18]

Release and promotion [edit]

In belatedly 1999, Spears promoted her upcoming album in Europe with alive performances of her past songs. She appeared on Smash Hits in the United Kingdom.[27] In Italia, she did a short interview on the television set show TRL Italy in early on 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May xiii.[27] In Spain, she gave an interview with El Rayo on September 8 and October 24.[27] Spears performed at large venues in the Uk, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Loonshit. She was accompanied by NSYNC, who toured with her during a short Britain outing in Oct 2000.[28]

Oops!... I Did It Once more was first released in Nihon on May 3, 2000, and was later released in the United States on May sixteen. In the United States, Spears appeared on Saturday Dark Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[29] On May x, she was interviewed on Tardily Night with Conan O'Brien.[27] On May thirteen, Spears was both the host and musical invitee on NBC's Saturday Night Live. She also performed on NBC's The This night Show with Jay Leno on May 23.[30] Spears' held her postal service-TRL listening party, "Britney'due south First Listen", on May 16, and was toast the arrival of her album on next Tuesday's installment of TRL that started at 3:30 p.yard. (ET).[31] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV's All Admission: Backstage with Britney that was circulate on July nineteen, 2000.[27] On September vii, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live performance.[32] which included a cover of the Rolling Stones'due south hit single "(I Can't Go No) Satisfaction" (1965) and her ain hit "Oops!... I Did It Again", released before that twelvemonth. While she began her segment in a black suit, she shocked the audition and the media while, at only the age of eighteen, ripped it off to display a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One month before the release of the anthology, Spears headed to Hawaii on Easter Sunday so she could tape a Fox tv special titled Britney Spears in Hawaii. The free concert was held on the beach in forepart of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert result was intended to serve as a preview of Spears' Oops!... I Did It Once again anthology that features her twelve new songs.[34] Spears had on a month-long international promotional tour in back up of Oops!... I Did It Again, and on May 2, she had a press result at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[35] Spears was also among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at viii p.chiliad. (ET/PT).[36] She was also expected to appear on a Grammy-day TRL.[36]

The album's supporting tour, the Oops!... I Did It Once more Tour, visited North America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Over again" and "Don't Permit Me Be the Terminal to Know". On June 24, 2000, Spears was featured in a print and television advertising campaign for Clairol'south Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own vocal for the brand called "I've Got the Urge to Herbal" that was featured in lx-second radio spots and was part of a pre-concert video presentation for Spears's 50-urban center summertime concert tour, in which Herbal Essences was the bout sponsor.

Singles [edit]

"Oops!... I Did Information technology Over again" was released every bit the lead single from the album and achieved worldwide popularity. It became Spears'south third tiptop-ten hit single on the U.s.a. Billboard Hot 100, peaking at number nine; nonetheless, in comparing to the huge success of her debut unmarried "...Babe Ane More Time", Jive Records considered "Oops!... I Did It Once again" a minor disappointment.[38] The vocal peaked at number one on the US Mainstream Acme 40,[39] holding the record for the most radio additions in one day. "Oops!... I Did Information technology Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Kingdom of spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic carmine shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the sea at the cease of Titanic.[41]

The album's 2nd single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number five on the United kingdom of great britain and northern ireland Singles Nautical chart.[42] In the U.s., "Lucky" only managed to meridian at number twenty-iii on the Billboard Hot 100 chart and at number ix on the Mainstream Top 40.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy pic star and shows her conflicted human relationship to fame.[43]

The third single, "Stronger", was released on October 30, 2000 and became the album's second highest-charting single in the U.s.a., peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[38] Information technology reached number seven on the United kingdom Singles Chart.[44] Its music video sees Spears communicable her young man cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired by Janet Jackson'southward video for "The Pleasure Principle".[45]

The fourth and last single, "Don't Let Me Exist the Final to Know", was released on March 5, 2001 and is one of Spears' favorite tracks of her career. In the United states, the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top twoscore. Still, the song attained success in Europe, topping the Romanian Top 100 and peaking within the top x in Austria, Poland and Switzerland, while just missing the top 10 in Germany, Republic of ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered too racy at the fourth dimension, portraying Spears in honey scenes with her fictional fellow, played past French model Brice Durand.[47]

"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ citation needed ]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 72/100[49]
Review scores
Source Rating
AllMusic [1]
Billboard favorable[17]
Christgau's Consumer Guide (choice cut) [fifty]
Entertainment Weekly B[22]
Los Angeles Daily News [51]
MTV Asia 8/10[52]
NME 8/10[xx]
Rolling Stone [23]
Salon favorable[53]
Sonic.net [54]

Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the album four out of v stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'One More Time'," only remarked that, "Fortunately, she and her production squad not only have a stronger overall set up of songs this fourth dimension, but they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album graphic symbol autonomously from the well-crafted dance-pop and ballads that serve equally its heart. In the stop, it'south what makes this an entertaining, satisfying listen."[i] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that can't exist conjured with a drinking glass-shattering note," praising the album for consistently cast[ing] Spears as a immature woman coming to terms with her inner power—and that's a darn good bulletin to offering an impressionable audience."[17] Entertainment Weekly'southward David Browne gave the album a B-rating, writing that the album "reminds usa in one case once more that the best new pop can be a blast of absurd air in a stifling room."[22]

Rob Sheffield of Rolling Rock gave the album a three-and-a-half out of five stars rating, calling the album "fantastic pop cheese, with much ameliorate song-manufacturing plant hooks than 'N Sync or BSB get", also noting that "the great thing virtually Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true kid of rock & roll tradition."[23] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, human being class", commenting that "she's done it again."[20] Lennat Mak of MTV Asia named information technology "a brilliant 2nd album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[52] Andy Battaglia of Salon called the anthology "a masterpiece of sorts not for its message merely for the way it applies the conventions of the pop-musical medium."[53] Website The A.V. Club was more mixed, calling it "a joyless fleck of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[56]

Accolades [edit]

Commercial operation [edit]

In the Usa, Oops!... I Did Information technology Once more reportedly sold 500,000 copies in its get-go day of release.[62] It debuted at number one on the Billboard 200 chart, with start-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest outset-calendar week sales by a female person creative person.[66] This record was held for xv years, just to exist surpassed in November 2015 past the anthology 25 past Adele, which sold over 3.38 million albums in the United States in its beginning week.[iv] The anthology fell to number two in its 2nd week, with additional sales of 612,000 copies.[67] It held this position for xv consecutive weeks.[68] [69] By its fifth week of availability, Oops!... I Did Information technology Over again had sold over three one thousand thousand copies and had passed five meg copies by August.[70] On its seventeenth calendar week on the chart,[71] information technology was certified septuple Platinum by the Recording Manufacture Clan of America (RIAA) for shipments of 7 million units.[72] [73] The album spent fourscore-iv weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Nautical chart, and 2 weeks on the U.s.a. Catalog Albums.[74] Oops!... I Did It Once again debuted at number eighty-two on the European Top 100 Albums, and rapidly peaked at number one;[75] information technology sold over four meg copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Manufacture.[76] Oops!... I Did Information technology Again reached number two on the United kingdom Albums Chart,[40] selling 88,000 copies in the get-go week of release; information technology remained in the superlative five for iv weeks. The album debuted at number 1 in Canada, selling 95,275 copies in its offset week.[77]

Information technology topped the French Albums Chart[78] and the German Offizielle Top 100, as well beingness certified triple Platinum by the British Phonographic Industry (BPI),[79] double Gold by the Syndicat National de 50'Édition Phonographique (SNEP)[80] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent x weeks in the top twenty;[82] it became the fourteenth highest-selling of 2000 in the state and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year subsequently shipping 140,000 copies to retailers.[83] [84] Oops!... I Did Information technology Again opened at number three on the New Zealand Albums Chart and was certified Aureate after just one calendar week on the chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did Information technology Over again became the third all-time-selling album of 2000 in the Us, selling 7,893,544 albums according to Nielsen SoundScan[87] and fourth best-selling album according to Billboard Year-End of 2000.[88] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Manufacture Association of America (RIAA).[89] [xc] Also, the album landed at number twenty-vii on BMG Music Social club all-fourth dimension best-sellers listing with 1.21 million units, behind Shania Twain's The Woman in Me (one.24 million) and Nirvana's Nevermind (i.24 million).[91] As of July 2009, the album has sold 9,184,000 copies in the Us, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold two.5 one thousand thousand copies in its starting time week (second highest first week sales by a female artist worldwide) and sold fifteen one thousand thousand copies by the end of the year. Information technology was the all-time-selling female album and 3rd best selling album of 2000. The album has sold xx million copies worldwide.[half-dozen]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright example against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U Come across (Is What U Get)" and "Can't Make You Dearest Me" are "near identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a vocal chosen "What Y'all See Is What You Become" in 1999 to i of Spears' representatives for consideration on a time to come album, though it was rejected.[93] The case was afterward dismissed after it was ruled that they lacked sufficient prove and that at that place "weren't enough similarities between the two songs to evidence copyright infringement."[94]

Track list [edit]

Oops!... I Did It Again  – North American edition[95]
No. Championship Writer(south) Producer(s) Length
1. "Oops!... I Did It Over again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
iii:31
ii. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
three:23
three. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
iii:43
4. "(I Can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins iv:23
5. "Don't Let Me Be the Concluding to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange iii:l
6. "What U Come across (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
3:36
vii. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
three:26
viii. "One Kiss from Y'all" Steve Lunt
  • Lunt
  • Larry "Rock" Campbell
3:23
nine. "Where Are Yous Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
ten. "Can't Brand Yous Dearest Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
11. "When Your Eyes Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
four:29
12. "Beloved Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
2:46
Total length: 44:37
Oops!... I Did It Over again  – International edition[96]
No. Championship Writer(s) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
four:06
13. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
ii:46
Total length: 48:24
Oops!... I Did It Again  – Asian edition[97]
No. Title Writer(s) Producer(due south) Length
xi. "When Your Optics Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
three:36
13. "You Got Information technology All" Rupert Holmes Eric Foster White 4:43
14. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
ii:46
Total length: 52:33
Oops!... I Did It Again  – Japanese, Australian, Mexican, Asian and UK special edition[98] [99]
No. Championship Writer(s) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
13. "You Got It All" Holmes White 4:x
14. "Heart"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
15. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Full length: 55:34
Oops!... I Did It Once more  – Australian special edition (bonus disc)[100]
No. Championship Length
1. "Don't Let Me Be the Last to Know" (Album version) iii:50
2. "Don't Allow Me Be the Last to Know" (Hex Hector Radio Mix) iv:01
three. "Don't Permit Me Exist the Last to Know" (Hex Hector Club Mix) ten:12
four. "Stronger" (MacQuayle Mix Testify Edit) five:21
v. "Stronger" (Pablo La Rosa's Tranceformation) seven:21
6. "Oops!... I Did Information technology Once more" (Music video) 4:11
7. "Lucky" (Music video) iv:07
8. "Stronger" (Music video) 3:37
9. "Don't Permit Me Exist the Last to Know" (Music video) three:51
Total length: xxx:52
Oops!... I Did It Over again  – Asian special edition (bonus disc)[101]
No. Championship Length
1. "Oops!... I Did It Once more" (Music video) 4:20
two. "Lucky" (Music video) iv:xiv
iii. "Stronger" (Music video) 3:47
4. "Oops!... I Did It Over again" (Karaoke) four:17
5. "Lucky" (Karaoke) 4:18
6. "Stronger" (Karaoke) 3:46
Total length: 25:25

Notes

  • Rail iv, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones unmarried.
  • ^a signifies a song producer

Personnel [edit]

Credits adjusted from AllMusic.[102]

  • Britney Spears – vocals, background vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, cord arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Mason, Sr. – editing
  • Bobby Brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – banana engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, vocal engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Mason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – song engineer
  • Jackie Murphy – art direction, design
  • Mark Seliger – back cover, cover photo
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken give-and-take
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-upwards
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Greenish – mixing
  • Jon Ragel – photography
  • Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, song organisation, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Colina – stylist
  • Alfred V. Dark-brown – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Gene Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweet – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – background vocals
  • Audrey Martells – background vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – groundwork vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – background vocals
  • Charlotte Björkman – groundwork vocals
  • Andres Von Hofsten – background vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

See besides [edit]

  • Listing of best-selling albums
  • Listing of acknowledged albums by women
  • List of all-time-selling albums in the United States
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Once again has sold nine,201,000 copies in the United States co-ordinate to Nielsen SoundScan,[185] with additional 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly pop in the 1990s.[92]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

cohentaints.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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